Check out the behind-the-scenes of the first night of filming on Imperfect, where we stage three jib/dolly shots and a stabbing.
It’s been a busy week here at Finite Films since we premiered Lovebound: Love Abounds. I spent the week furiously storyboarding Imperfect so that we could start planning out how we’re going to get all the 180+ shots involved. Our team has been working very hard to get everything ready for the first day of filming next week.
I like to have very specific storyboards so that we know exactly who is in what shot, what is supposed to be happening in the frame, and generally what the lighting set up should be. Here are a couple examples of some storyboard frames from Imperfect (I’m not an artist and have terrible handwriting, forgive me):
On Friday we had a photo shoot for the film with photographer Isaac Sterling, where we gathered several pictures of the lovely Chrissy Randall (who plays “Lorna” in the film) that we’ll use for magazine covers and other kinds of set decoration. Here’s a quick glimpse:
Now I must start doing some visual fx tests, as there are few tricky shots to plan for. Come back tomorrow for a new production diary!
Our first out-and-out comedy, Lovebound: Love Abounds, has premiered!
I’d like to give a big special thanks to our post-production crew, including our visual effects supervisor David Sims, composer Aaron Gentry, and sound editor Daniel Clark. In the last week they’ve worked tirelessly to ensure the project was something they would be proud to put their name on, which as a director, is the greatest feeling in the world.
I also can’t fail to mention the amazing dedication the rest of our cast and crew gave throughout the whole production process.
So pop some popcorn, pull up your office chair, corral a friend or two, and enjoy Lovebound: Love Abounds.
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