Check out the behind the scenes of Lovebound: Love Abounds‘ car chase, specifically how the intentionally-campy look was approached and executed.
This production diary chronicles the third and final day of shooting for Mistletoe – the quickest turnaround of any Finite Films production thus far.
Hey everyone! We’re back!
Well, we never really left. We’ve been working this whole time, but we shifted our focus a bit to enjoy the holidays. It was a nice semi-break, but now it’s back to full throttle.
Alex was writing the entire time, and is now in full-on production mode on February Film, also known as Anamnesis. Ryan and co-writer Max Kleinman are hammering out the script for March Film, and I watched about ten films this past week in order to do some research on 40s noir as per the constraint chosen for April Film.
We also just created an Instagram account, so if you have an iPhone follow us for lots of on-set picture updates each day. Look for lots of updates coming in the next few days, starting with our latest production diary, which covers the first two nights of shooting the office scene for our holiday film, Mistletoe.
Check out Michael our “human steadicam” in action as Occupational Hazards wraps principle photography and goes through its subsequent post-production process.
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