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Check out the behind the scenes of Lovebound: Love Abounds‘ car chase, specifically how the intentionally-campy look was approached and executed.
As production on Lovebound: Love Abounds wraps up, actress Stephanie Thompson discusses her favorite shooting day, and director Michael Tucker prepares to direct a Film Noir.
Here’s how actor Max Kleinman got into character as “Jennifer,” all because of the constraint: “One character must be cast for a character of the opposite sex.”
One of the constraints for Anamnesis demanded that the film must have one 2-minute-long shot. Here’s a look into how we pulled off “the long take.”
Composer Bryan Ricker talks about the music of Anamnesis, and we hold the first read-through for the March-release film, Lovebound: Love Abounds.
Follow the first few days of production on “Anamnesis,” an emotional trip into the surreal for Finite Films.
This production diary chronicles the third and final day of shooting for Mistletoe – the quickest turnaround of any Finite Films production thus far.
Hey everyone! We’re back!
Well, we never really left. We’ve been working this whole time, but we shifted our focus a bit to enjoy the holidays. It was a nice semi-break, but now it’s back to full throttle.
Alex was writing the entire time, and is now in full-on production mode on February Film, also known as Anamnesis. Ryan and co-writer Max Kleinman are hammering out the script for March Film, and I watched about ten films this past week in order to do some research on 40s noir as per the constraint chosen for April Film.
We also just created an Instagram account, so if you have an iPhone follow us for lots of on-set picture updates each day. Look for lots of updates coming in the next few days, starting with our latest production diary, which covers the first two nights of shooting the office scene for our holiday film, Mistletoe.
—MT
Check out Michael our “human steadicam” in action as Occupational Hazards wraps principle photography and goes through its subsequent post-production process.
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